Argentine tango

Argentine Tango is a social dance and a musical genre that originated in Argentina and moved to Uruguay and to the rest of the world later on. In the US, it is commonly confused with Ballroom Tango, though this is a later derivation. See History of Tango and Tango music for the origins and development of each

Argentine Tango is danced in an embrace that can vary from very open, in which leader and follower connect at arms length, to very closed, in which the connection is chest-to-chest, or anywhere in between. Close embrace is often associated with the more traditional styles, while open embrace leaves room for many of the embellishments and figures that are associated with Tango Nuevo.
Tango is essentially walking with a partner and the music. Musicality (i.e. dancing appropriately to the emotion and speed of a tango) is an extremely important element of tangoing. A good dancer is one who makes you see the music. Also, dancers generally keep their feet close to the floor as they walk, the ankles and knees brushing as one leg passes the other.
Argentine Tango relies heavily on improvisation; although certain patterns of movement have been codified by instructors over the years as a device to instruct dancers, there is no "basic step." One of the only constants across all Argentine Tango styles, is that the follower will usually be led to alternate feet. Another is that the follower rarely has her weight on both feet at the same time. Argentine tango is a new orientation of couple dancing. As most dances have a rational-pattern which can be predicted by the follower, the ballast of previous perceptions about strict rules has to be thrown overboard and replaced by a real communication contact, creating a direct non-verbal dialogue. A tango is a living act in the moment as it happens.
Argentine Tango is danced counterclockwise around the outside of the dance floor (the "line of dance") and dance "traffic" often segregates into a number of "lanes"; cutting across the middle of the floor is frowned upon. In general, the middle of the floor is where you find either beginners who lack floor navigation skills or people who are performing "showy" figures or patterns that take up more dance floor space. It is acceptable to stop briefly in the line of dance to perform stationary figures, as long as the other dancers are not unduly impeded. The school of thought about this is, if there is open space in front of you, there are likely people waiting behind you. Dancers are expected to respect the other couples on the floor; colliding or even crowding another couple, or stepping on others' feet is to be avoided strenuously. It is considered rude; in addition to possible physical harm rendered, it can be disruptive to a couple's musicality.

Aqueduct of Segovia

The Aqueduct of Segovia (or more precisely, the aqueduct bridge) is one of the most significant and best-preserved monuments left by the Romans on the Iberian Peninsula. It is among the most important symbols of Segovia, as is evidenced by its presence on the city's coat of arms.


The aqueduct transports waters from Spring Fuenfría, situated in the nearby mountains some 17 kilometers (10.6 miles) from the city in a region known as La Acebeda. It runs another 15 kilometers (9.3 miles) before arriving in the city. The water is first gathered in a tank known as El Caserón (or Big House), and is then led through a channel to a second tower known as the Casa de Aguas (or Waterhouse). There it is naturally decanted and sand settles out before the water continues its route. Next the water travels 728 meters (.45 miles) on a one-percent grade until it is high upon the Postigo, a rocky outcropping on which the old city center, the Segovia Alcázar, was built. Then, at Plaza de Díaz Sanz (Díaz Sanz Square), the structure makes an abrupt turn and heads toward Plaza Azoguejo (Azoguejo Square). It is there the monument begins to display its full splendor. At its tallest, the aqueduct reaches a height of 28.5 meters (93.5 feet), including nearly 6 meters (19.7 feet) of foundation. There are both single and double arches supported by pillars. From the point the aqueduct enters the city until it reaches Plaza de Díaz Sanz, it boasts 75 single arches and 44 double arches (or 88 arches when counted individually), followed by four single arches, totalling 167 arches in all.


The aqueduct is built of unmortared, brick-like granite blocks


The aqueduct is the city's most important architectural landmark. It had been kept functioning throughout the centuries and preserved in excellent condition. It provided water to Segovia, mainly to the Segovia Alcázar, until recently. During the 20th Century, the aqueduct suffered wear and tear due to pollution from heaters and automobiles. The latter used to pass below the arches. Natural erosion from the granite itself has also affected the structure through the years. Contrary to popular belief, vibrations caused by traffic do not affect the aqueduct due to its great mass. Restoration projects, supervised by architect Francisco Jurado, have been ongoing since 1997 in order to guarantee the aqueduct's survival. During the restoration, traffic has been re-routed, and Plaza Azoguejo has been converted into a pedestrian zone.


The Legend
According to a popular legend, sloth, rather than Romans, was responsible for the construction of the aqueduct. A woman who worked as a water carrier, fed up with hauling her pitcher through the steep streets of the city, made a pact with the devil: the devil could take her soul if water would arrive at her doorstep before the rooster crowed. When night fell, a great storm fell upon the city. None of its citizens except the woman knew that this was no normal storm, but instead was the devil working to keep his part of the bargain. However, she repented and prayed all night to avoid fulfilling the pact. According to the legend, the rooster crowed just before the devil could lay the final stone, and thus the woman's soul was saved.
The woman confessed her sin to the citizens who, after spraying the arches with holy water, were happy to accept the new addition to the city. Convinced that a miracle had saved the woman's soul, a statue of the Virgin and Saint Stephen were placed atop the aqueduct in commemoration.

Flamenco

Flamenco is a Spanish musical genre with strong, rhythmic undertones and is often accompanied with a similarly impassioned style of dance characterized by its powerful yet graceful execution, as well as its intricate hand and footwork. Flamenco embodies a complex musical and cultural tradition. Although considered part of the culture of Spain in general, flamenco actually originates from one region: Andalusia. However, other areas, mainly Extremadura and Murcia, have contributed to the development of several flamenco musical forms, and a great number of renowned flamenco artists have been born in other territories of the state. The roots of flamenco are not precisely known, but it is generally acknowledged that flamenco grew out of the un1ique interplay of native Andalusian, Islamic, Sephardic, and Gypsy cultures that existed in Andalusia prior to and after the Reconquest. Latin American and especially Cuban influences have also been important in shaping several flamenco musical forms

Amores perros is a Mexican film directed by Alejandro González Iñárritu in 2000. It is an anthology film containing three distinct stories which are connected by a car accident in Mexico City. Each of the three tales is also a reflection on the cruelty of humans toward animals and each other, showing how they may live dark or even hideous lives. Amores Perros was nominated for the Academy Award for Best Foreign Language Film in 2001 and won the Ariel Award for Best Picture from the Mexican Academy of Film.
The film was released under its Spanish title in the English-speaking world although it was sometimes translated as Love's a Bitch in marketing. In a 2001 interview on National Public Radio Iñárritu pointed out that an American English idiom, Love's a Bitch is not a satisfactory translation of the title

Gazpacho soup

El Gazpacho.

Gazpacho soup, usually simply referred to as gazpacho, is a cold Spanish soup originating in the Southern region of Andalusia. It is widely consumed throughout Spain, neighboring Portugal and certain Latin American countries. It descends from an ancient Andalusian concoction based on a combination of stale bread, garlic, olive oil, salt, and vinegar — a cold breadsoup. With the Columbian Exchange beginning in 1492, the tomato and the bell pepper were brought to Europe।

The soup is also classically accompanied by hard boiled egg।